Carola (Ola) Cohn, born on April 25, 1892, in Bendigo, Victoria, was a sculptor renowned for her innovative approach to form and material. After receiving her early education at Girton College in Bendigo, she delved into the realm of art at the Bendigo School of Mines from 1910 to 1919. Following this, she pursued her passion at Swinburne Technical College, Melbourne, from 1920 to 1925.
In 1926, Ola ventured to London, immersing herself in the vibrant artistic scene of the Royal College of Art, where she was mentored by the renowned sculptor Henry Moore. London proved to be a transformative period for her as she honed her craft, experimenting with various mediums including stone, wood, terracotta, and bronze. Influenced by Moore, her sculptures evoked a minimalist aesthetic, focusing on elemental forms that resonated with the inherent qualities of her chosen materials.
Returning to Melbourne in late 1930, Ola established her studio, marking the beginning of her influential career as a sculptor in Australia. Her debut solo exhibition in March 1931 solidified her position as a leading figure in modern sculpture in the country. While her early works showcased experimental tendencies, particularly influenced by her time in London, her later pieces tended towards a more traditional style.
Throughout her career, Ola Cohn balanced her artistic pursuits with teaching endeavors. She imparted her knowledge at various institutions, including the Melbourne Kindergarten Teachers' College, leaving a lasting impact on generations of aspiring artists. Her dedication to her craft was recognized with prestigious awards, such as the O.B.E. in 1964, honoring her significant contributions to the field of sculpture.
Beyond her artistic endeavors, Ola had a deep affinity for animals, reflected in her beloved pets and her enchanting creation, the 'Fairies' Tree' in Melbourne's Fitzroy Gardens. This whimsical masterpiece, inspired by her experiences in London, became a beloved landmark, capturing the imaginations of visitors with its intricate carvings and fantastical narratives.
Ola Cohn's legacy endures through her extensive body of work, which is prominently featured in public collections across Australia. Her writings, including enchanting tales inspired by her sculptures, offer a glimpse into her imaginative world. Despite facing personal loss with the passing of her husband Herbert John Green in 1957, Ola's artistic spirit remained undaunted until her death on December 23, 1964. In her will, she bequeathed her studio and a collection of her works to the Council of Adult Education, ensuring that her artistic legacy would continue to inspire future generations.